Dean Klinkenberg is a St. Louis-based writer who gave up the world of academic psychology to write about life along the Mississippi River. He has published seven guidebooks for the Mississippi Valley and two mysteries (Rock Island Lines and Double-Dealing in Dubuque) set in places along the river. He is currently working on a book about the extent to which we’ve engineered the Mississippi River and what it has cost us to do so. His writing has appeared in the Minneapolis Star Tribune, the St. Louis Post-Dispatch, GoNomad.com, and Big River Magazine.
Klinkenberg has presented at conferences, libraries, historical societies, and on the American Queen steamboat. In the past few years, he has presented for:
- The Wisconsin Library Association
- Great River Writes
- National Eagle Center; Wabasha, MN
- Burlington (IA) Public Library
- Des Moines Public Library
- Mississippi River Conference; Moline, IL
- Dubuque (IA) Public Library
- La Crosse County Historical Society
- Clinton County (IA) Historical Society
- Beltrami County (MN) Historical Society
- Winona County (MN) History Center
- Grand Rapids (MN) Public Library
- Alton (IL) Public Library
Klinkenberg’s presentation was a big hit. He is funny, informative, and knowledgeable. His informal style had the audience engaged even before the program officially started.
—Jane Easterly, Galesburg Public Library, Galesburg, Illinois
Klinkenberg can present on one of the topics described below, but he may also develop custom talks on request. To find our more or to schedule a talk, contact him by email: Dean[at]TravelPassages[dot]com.
Talks About Writing
From Fact to Fiction: Using Archival Research to Inspire Travel Writing and Textured Mysteries
Rock Island Lines is a mystery that plays with the idea of genealogy as destiny. The plot centers around a long-dead gangster, John Looney, and his legacy of violence and corruption. Klinkenberg spent hours researching Looney’s life, the era, and his conspirators and enemies. He came to the story, though, long before he was thinking about fiction—he was researching a travel guide for the Quad Cities. Learn about his approach to writing fiction and nonfiction, how they are inextricably linked and how it is all made possible by the local archives where he spends much of his research time. What stories are hiding in your archives?
Length: 45 minutes
Equipment needs: Projector and screen
Talks About the Mississippi River
The Mississippi River in Song: What the River Means to Us
“My ma and pa got drowned, Mississippi you to blame
Mississippi River I can’t stand to hear your name.”
–from Homeless Blues; Bessie Smith
“Take a chance, leave behind all the troubles that are on your mind
Cause all I want to be is at the Mississippi River.”
–from The Mississippi River; Firehead Jerry
To some people, the Mississippi River is a beast to be feared and hated, while it’s a carefree playground for others. The Mississippi River means something different to each of us. Most of us experience the river through a microscopic lens. We only see the river in front of us. We don’t see what others see, so we miss the complexities in our relationship with the river. The words of songwriters can help us see the river more broadly.
There are hundreds of songs that are directly or indirectly about the river; they cover a wide range of themes. These compositions offer a rich source for exploring the different ways we experience the Mississippi. Dozens of songs, for example, tackle the devastation wrought by a swollen Mississippi River. Other songs cover themes like levees, African American experiences along the river, gambling, river rats, pollution, pretty sunsets, and falling in love on the river.
Many of the songs are from well-known musicians like Johnny Cash and Bob Dylan, but many more were recorded by talented artists who might only be known to their mothers and best friends. While everyone won’t necessarily love every song, most people will leave humming at least one tune. And everyone will see the Mississippi River in a new way. Ultimately, knowing what the river has meant to us in the past will help us define what we want the river to be in the future.
A standard 60-minute talk would include three of the six themes listed below. You select which three themes you’d like covered::
- River towns: snapshots of communities from the Headwaters to the Gulf
- Rivers rats of yesterday and today
- Monsters, real and imagined
- Boats: flatboats to showboats and shanty boats, and
Length: 45-90 minutes
Equipment needs: Projector, screen, speakers, podium
Mississippi, Missouri, or Big Muddy: What’s in a Name?
Why do we call the river in the middle of